Temper Clay

Kim’s film reflects on matriarchy, domesticity, and Korean society in poetic form: the footage is interspersed with surreal and dreamlike scenes of choreographed actions, strange gestures, and repetitive daily activities. Voiceover and written text from various sources, such as an interview with the artist’s childhood nanny, weave throughout the film. The soundtrack was developed with Kim’s frequent collaborator, the musician David Michael DiGregorio, known as dogr.